Not included.

Sometimes you have to read a story two or three times to make sure you’re reading it right. As in:

A PhD candidate is hoping the University of Alberta changes its practice on publishing theses after hers was rejected for spelling her [Urdu] name in Arabic script.

Sarah Shakil, a doctoral candidate in biological sciences and ecology, successfully defended her thesis in January — the culmination of years of hard work and the final hurdle for getting her PhD. The next step was to deposit the thesis through an online system, after which it would be published and forwarded to various Canadian theses collections.

But the document previously reviewed by her supervisor and multiple examiners was rejected for including her name in Arabic script on the title page, with her name in Roman script in a smaller font just below. …

Shakil petitioned administration to do so but was told the university needed to follow institutional policy and the title page as-is was divergent from formatting regulations.

The minimum thesis formatting requirements guide makes no mention of language script requirements. It says matters of style are for candidates to decide, subject to certain rules. (from the CBC)

Shakil told the CBC: “It suggests that everybody else who’s not a European identity is not welcome or they have to set aside their cultural background and conform to that university culture.”

This is what the name on the title page looked like:

Several days after the CBC report, Shakil tweeted that the Dean of Graduate Studies and Research, Brooke Milne, wrote a three-page letter to her denying her request to use her Urdu name in Arabic script on the title page. You can read the whole letter via Shakil’s tweet. I went on a long walk this afternoon attempting to summon sufficient Canadian politesse to compose a courteous account of the Dean’s letter.

I failed utterly.

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Information warfare

Chester Wisniewski, longtime friend of this blog and principal research scientist at Sophos, has been studying Russian cyber aggression for a very long time. In a new piece he describes the kind of threats we can expect from Russia as that country looks to attack Ukraine: distributed denial of service (DDoS) attacks, digital defacement and spam, disinformation and isolation, the paralysis of power supplies, email hacking, false flags, supply chain attacks, and malware attacks on supply chains.

Russia’s official “The Military Doctrine of the Russian Federation” from 2010 states: “the prior implementation of measures of information warfare in order to achieve political objectives without the utilization of military force and, subsequently, in the interest of shaping a favourable response from the world community to the utilization of military force.”

Information warfare is how the Kremlin can try to control the rest of the world’s response to actions in Ukraine or any other target of attack. …

The United States and United Kingdom are trying to preempt some of the misinformation campaigns, and this could limit their effectiveness. However, we shouldn’t assume the attackers will stop trying, so we need to remain prepared and vigilant. …

From a global perspective, we should expect a range of “patriotic” freelancers in Russia, by which I mean ransomware criminals, phish writers and botnet operators, to lash out with even more fervor than normal at targets perceived to be against the Motherland.

While defense-in-depth security should be the normal thing to strive for at the best of times, it is especially important if we can expect an increase in the frequency and severity of attacks. 

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The other Spotify scandal

Esteemed recording engineer Steve Albini explains in a recent twitter thread that there’s “an important thread of continuity over time about the exploitation of bands by record labels that deserves a closer look, re the current Spotify debate.” It is a detailed, really instructive discussion. Please read the whole thread. Albini concludes:

It is egregious that these services pay so little [less than half a cent per stream], another manifestation of the greed of predicate labels and the practices of a corrupt industry that predates them. 

It gives me peace thinking that the streaming model is unsustainable and will collapse eventually, but in the interim remember that the music business that fucked mainstream bands always had in parallel the contrasting independent scene which was more fair then and remains so.

Jacobin Magazine writer Charlie Bird argues that we need a “Socialist Spotify.”

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It’s wild out there.

The 2022 Social Media Map from Overdrive is here – this is a happy day! – and it includes live links to 675 sites, apps, and tools, broken down into 25 categories.  Click on the image above to download the invaluable PDF. Have at it!

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Alas

“Critical thinking isn’t contagious.”

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English Bay logs, gathered after wind storm.

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You complete the world.

It seems staggering that the brand new mayor of NYC, Eric Adams, could use the words “low skilled workers” to describe anyone who works in his city.

I could walk for hours through Manhattan before seeing *anyone* whose work I could also do successfully.

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Joan Didion

Farewell, nonpareil, with some tears. Your clarity shocked, delighted, and taught me.

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More on rigour

Over at the Teaching and Learning Commons, my colleague Jennifer Hardwick places the concept of rigour in the context of Universal Design for Learning (UDL) :

The Oxford English Dictionary defines “rigour” as “the fact of being careful and paying great attention to detail” and “the fact of being strict or severe.” In universities, I think we often conflate the two definitions, striving for the first but implementing the second instead.

If we want our students to be rigorous — thoughtful, careful, critical, and detailed — in their thinking and in their scholarship, we don’t necessarily need to be strict or severe. Rather, we need to create opportunities for our students to attain, practice, and apply skills in multiple ways so that they are prepared to think deeply and engage critically and ethically in a variety of contexts and conditions. In this sense, flexibility, pedagogical care, and frameworks such as Universal Design for Learning (UDL) can actually expand rigour in a classroom. In fact, UDL practitioners have a term for the kind of rigorous students many of us a seek to develop: expert learners. CAST, the non-profit education organization that created UDL defines expert learners as “resourceful and knowledgeable, strategic and goal-directed, and purposeful and motivated.”

UDL encourages educators to develop expert learners by creating pathways through courses so that students have opportunities to consume, share, and engage with knowledge in multiple ways. In this sense, UDL isn’t about lowering standards; it’s about showing that there are often different ways to meet them. Not only does this approach reduce barriers to learning, it also helps students become self-aware learners who understand that they have a variety of methodologies, tools, and mediums at their disposal to solve problems and share information.

Hardwick’s entire discussion is admirably clear and very helpful.

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Heroines Revisited

I saw the first photographs from Lincoln Clarkes’ monumental series “Heroines” the day after his initial exhibition closed. That was the day I met Lincoln as well. The curator at Vancouver’s Helen Pitt Gallery hadn’t taken the show down yet, and Lincoln showed me around. We became friends almost right away, and the photographs in the show, and then others as he continued to shoot these portraits, were published in an ezine I edited at the time called Ellavon.

That was in July 1998. Several dozen of these photographs appeared in a small book published by Anvil Press in 2002.

Now the world can see a much more extensive collection of photographs from the series, in Heroines Revisited (also published by Anvil). It is an absolutely marvelous book, an important one, a series of humbling and heartbreaking revelations.

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